Twinkle, Twinkle, Little Star
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A song of little stars that illuminated everyone's childhood. Born from an 18th-century French traditional melody adorned with beautiful lyrics by English poet Jane Taylor, this piece offers eternal classical beauty through its simple yet deeply resonant melody. Like the stars in the night sky, its pure and clear melody warmly embraces our hearts.
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Arranger: SunYoung Park
Conductor: SunYoung Park
Performers: Yoorhi Choi (Vn I), Kyuri Choi (Vn II), Eunha Kim (Vc I), August Jong Hyun Lee (Vc II), Anne Kim (Fl), Yeseul Park (Ob), Eunhye Grace Hwang (Pf I), Jina Jang (Pf II), Shin-Yeong Noh (Sop I), Jennie Yukyung Byun (Sop II), Isabel Yun (M. Sop)
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Composer: Traditional French melody “Ah! vous dirai-je, maman” (1761)
Lyricist: Jane Taylor (poem The Star, 1806)
A Lover’s Concerto
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The second movement of life’s symphony — where Baroque elegance meets modern celebration. This remarkable transformation of Christian Petzold’s classical minuet into 1960s pop evokes the pure joy and tenderness that accompany new life. The song’s gentle rain, singing birds, and radiant colors of the rainbow can be heard as symbols of a parent’s wonder upon welcoming their child into the world. Its sweet harmonies and flowing melodies capture that suspended moment when time seems to stop, when the world feels perfectly still, and when every note becomes a quiet celebration of love and new beginnings.
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Arranger: Wonji Lee
Performers: Jennie Yukyung Byun (Sop), Anne Kim (Fl), Yeseul Park (Ob), August Jong Hyun Lee (Vc), Eunhye Grace Hwang (Pf)
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Based on Minuet in G major by Christian Petzold (1677–1733); Adapted by Sandy Linzer & Denny Randell
Lyricist: Sandy Linzer & Denny Randell
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How gentle is the rain that falls softly on the meadow
Birds high above in the trees serenade the flowers with their melodies oh oh ohSee there beyond the hill the bright colors of the rainbow
Some magic from above made this day for us just to fall in loveNow I belong to you from this day until forever
Just love me tenderly and I'll give to you every part of me oh oh oh
Don't ever make me cry through long lonely nights without love
Be always true to me
Keep this day in your heart eternallySomeday we shall return to this place upon the meadow
We'll walk out in the rain, hear the bird's above sing once again oh oh oh
You'll hold me in your arms and say once again, you love me
And if your love is true everything will be just as wonderfulYou'll hold me in your arms and say once again, you love me
And if your love is true everything will be just as wonderful
Game Medley
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The chaotic symphony of adolescence - where reality blurs with virtual worlds. This medley of game music from different eras mirrors the restless energy and scattered attention of teenage years. From arcade adventures to modern digital dramas, each melody represents a different escape route from the overwhelming confusion of growing up. The rapid shifts between nostalgic 8-bit sounds and contemporary themes capture the emotional turbulence and constant search for identity that defines this pivotal stage of life.
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Arrangers: Wonji Lee (Circus Charlie, Bubble Bobble), Yeolmae Son (Super Mario Bros., Squid Game), SunYoung Park (Tetris, Carmen: L'amour est un oiseau rebelle)
Performers: Wonji Lee (Multi-instrument I), Yeolmae Son (Multi-instrument II), SunYoung Park (8-bit & Vn II), Kyuri Choi (Vn I), Yoorhi Choi (Vn I), Eunha Kim (Vc I), August Jong Hyun Lee (Vc II), Anne Kim (Fl), Yeseul Park (Ob), Jina Jang (Pf)
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Composers: David Whittaker (Circus Charlie, C64 port), Tadashi Kimijima (Bubble Bobble), Koji Kondo (Super Mario Bros.), Jung Jae-il (Squid Game), Hirokazu Tanaka (Tetris, based on Russian folk “Korobeiniki”), Alexandre César Léopold Bizet (Carmen: L'amour est un oiseau rebelle)
Storm (La tempesta) from The Four Seasons, Summer, III. Presto
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Vivaldi's storm becomes the perfect metaphor for teenage turmoil. The fierce, unpredictable violin passages mirror the emotional storms that rage within every adolescent heart. Like a young person caught in the blizzard of hormones, peer pressure, and self-doubt, this music captures the intensity of youth's struggles - the sudden outbursts of anger, the quiet moments of vulnerability, and the relentless search for shelter in an adult world that seems both beckoning and terrifying.
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Arranger: Neil Crossland
Performers: Yoorhi Choi (Vn), August Jong Hyun Lee (Vc), Eunhye Grace Hwang (Pf)
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Composer: Antonio Vivaldi (1678-1741)
This Is Me from The Greatest Showman
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The pivotal moment when wandering ends and self-acceptance begins. After years of confusion and searching, this powerful anthem from 'The Greatest Showman' represents that breakthrough moment when a young adult finally declares "This is me!" - flaws, dreams, fears and all. It's the musical embodiment of standing tall after the storm, of embracing one's authentic self, and of finding the courage to step into adulthood with purpose and dignity. This is where the lost teenager transforms into a confident individual.
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Arrangers: Wonji Lee, SunYoung Park
Conductor: Wonji Lee
Performers: Isabel Yun (M. Sop), Jennie Yukyung Byun (Sop), Shin-Yeong Noh (Sop), Kyuri Choi (Vn I), SunYoung Park (Vn II), Yoorhi Choi (Va), August Jong Hyun Lee (Vc I), Eunha Kim (Vc II), Anne Kim (Fl), Yeseul Park (Ob), Jina Jang (Pf I), Eunhye Grace Hwang (Pf II)
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Music and Lyrics by Benj Pasek & Justin Paul
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I am not a stranger to the dark
"Hide away, " they say
"'Cause we don't want your broken parts"
I've learned to be ashamed of all my scars
"Run away, " they say
"No one'll love you as you are"But I won't let them break me down to dust
I know that there's a place for us
For we are gloriousWhen the sharpest words wanna cut me down
I'm gonna send a flood, gonna drown 'em out
I am brave, I am bruised
I am who I'm meant to be, this is me
Look out 'cause here I come
And I'm marching on to the beat I drum
I'm not scared to be seen
I make no apologies, this is meOh-oh-oh-oh
Another round of bullets hits my skin
Well, fire away 'cause today, I won't let the shame sink in
We are bursting through the barricades and
Reaching for the sun (we are warriors)
Yeah, that's what we've become (yeah, that's what we've become)I won't let them break me down to dust
I know that there's a place for us
For we are gloriousWhen the sharpest words wanna cut me down
I'm gonna send a flood, gonna drown 'em out
I am brave, I am bruised
I am who I'm meant to be, this is me
Look out 'cause here I come
And I'm marching on to the beat I drum
I'm not scared to be seen
I make no apologies, this is meOh-oh-oh-oh
This is meand I know that I deserve your love
(Oh-oh-oh-oh) there's nothing I'm not worthy of
(Oh-oh-oh, oh-oh-oh, oh-oh-oh, oh, oh)When the sharpest words wanna cut me down
I'm gonna send a flood, gonna drown 'em out
This is brave, this is bruised
This is who I'm meant to be, this is meLook out 'cause here I come (look out 'cause here I come)
And I'm marching on to the beat I drum (marching on, marching, marching on)
I'm not scared to be seen
I make no apologies, this is meWhenever the words wanna cut me down (oh-oh-oh-oh)
I'll send a flood to drown 'em out (oh, oh-oh, oh-oh)
I'm gonna send a flood (oh-oh-oh-oh)
Gonna drown them 'em out (oh-oh-oh, oh-oh-oh, oh-oh-oh, oh, oh)
Oh
This is me
Que Sera, Sera (Whatever Will Be, Will Be)
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The serene wisdom of maturity - "Whatever will be, will be." This gentle standard embodies the peaceful acceptance that comes with adult experience. After the storms of youth and the urgency of self-discovery, this melody represents the mature understanding that life cannot be completely controlled, only embraced. It's the soundtrack to raising children, building careers, and learning to find beauty in uncertainty. Doris Day's optimistic delivery captures the radiant confidence of someone who has found their place in the world.
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Arrangers: Chaeyeon Lee, Wonji Lee
Performers: Shin-Yeong Noh (Sop), Yeseul Park (Ob), Eunha Kim (Vc), Jina Jang (Pf)
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Composers: Jay Livingston & Ray Evans
Lyricist: Ray Evans
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When I was just a little girl
I asked my mother
What will I be?
Will I be pretty?
Will I be rich?
Here's what she said to me:
Que sera, sera.
Whatever will be, will be.
The future's not ours to see.
Que sera, sera.
What will be, will be.
When I grew up and fell in love
I asked my sweetheart
What lies ahead?
Will we have rainbows
Day after day?
Here's what my sweetheart said:
Que sera, sera.
Whatever will be, will be.
The future's not ours to see.
Que sera, sera.
What will be, will be.
Now I have children of my own.
They ask their mother,
What will I be?
Will I be handsome?
Will I be rich?
I tell them tenderly:
Que sera, sera.
Whatever will be, will be.
The future's not ours to see.
Que sera, sera.
What will be, will be.
Que sera, sera.
Widmung from Myrthen, Op. 25, No. 1
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Schumann's tender dedication to his beloved Clara represents the profound depths of mature romantic love. This isn't the passionate infatuation of youth, but the deep, abiding devotion that grows between two souls who have weathered life's challenges together. The delicate interweaving of melody and harmony mirrors how two lives become beautifully intertwined through shared experiences, mutual support, and unconditional acceptance.
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Arranger: L. Dionne
Performers: Yoorhi Choi (Vn), August Jong Hyun Lee (Vc), Eunhye Grace Hwang (Pf)
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Composer: Robert Schumann
Poem: Friedrich Rückert
Hymne à l'amour
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Piaf's immortal hymn to love captures the all-consuming passion that can transform an adult's world. This is love at its most intense and sacrificial - the kind that makes one willing to give everything, to follow anywhere, to become completely vulnerable. Written from her own experiences of profound love and loss, this chanson embodies the magnificent obsession that can overtake mature hearts. The soaring melody mirrors the intoxicating heights of deep romantic connection, while the minor key hints at love's potential for both ecstasy and heartbreak.
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Arranger: Yeolmae Son
Performers: Shin-Yeong Noh (Sop), Yoorhi Choi (Vn), Jina Jang (Pf)
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Composer: Marguerite Monnot
Lyricist: Édith Piaf
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If the sky should fall into the sea
And the stars fade all around me
All the times that we have known
I will sing a hymn to love
We have lived and dreamed we two alone
In a world that seemed our very own
With its memory ever grateful
Just for you I'll sing a hymn to love
J'irais jusqu'au bout du monde
Je me ferais tendre en blonde
Si tu me le demandais
J'irais décrocher la Lune
J'irais voler la fortune
Si tu me le demandais
Je renierais ma patrie
Je renierais mes amis
Si tu me le demandais
On peut bien rire de moi
Je ferais n'importe quoi
Si tu me le demandais
If one day we had to say goodbye
And our love would fade away and die
In my heart you will remain
I will sing a hymn to love
Those who love will live eternally
In the blue where all is harmony
With my voice raised up to heaven
Just for you, I'll sing a hymn to love
Graceful Ghost Rag
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As life moves into its later chapters, this whimsical ragtime piece captures the gentle, philosophical acceptance that comes with age. The "graceful ghost" represents how the elderly carry within them all their past selves - the child, the teenager, the young adult - now viewed with tender nostalgia rather than regret. Bolcom's fusion of old and new styles mirrors how senior years blend memory with present reality, creating something uniquely beautiful from the accumulated experiences of a lifetime lived fully.
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Arranger: SunYoung Park
Performers: Yoorhi Choi (Vn), Eunha Kim (Vc), Jina Jang (Pf)
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Composer: William Bolcom
As Life Goes On (살다보면) from Musical Sopyonje (서편제)
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"As life goes on..." - these simple words carry the profound weight of accumulated years. This Korean masterpiece from 'Sopyonje' embodies the serene melancholy of later life, when the frantic struggles of youth have given way to quiet contemplation. The melody flows like a gentle river, carrying memories of joys and sorrows, successes and failures, all now viewed through the lens of hard-earned wisdom. It's the musical equivalent of sitting on a mountain peak, looking back at the winding path that led to this moment of peaceful understanding.
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Arranger: Yeolmae Son
Performers: Jennie Yukyung Byun (Sop), Yoorhi Choi (Vn I), Kyuri Choi (Vn II), SunYoung Park (Vn III), Eunha Kim (Vc), Jina Jang (Pf)
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Composer: Yun Il-sang
Lyricist: Jo Young-gyu
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<Korean>
혼자라 슬퍼하진 않아. 돌아가신 엄마 말하길, 그저 살다보면 살아진다
그 말 무슨 뜻인진 몰라도 기분이 좋아지는 주문같아. 너도 해봐. 눈을 감고 중얼 거려
그저 살다보면 살아진다. 그저 살다보면 살아진다.
눈을 감고 바람을 느껴봐. 엄마가 쓰다듬던 손길이야. 멀리 보고 소리를 질러봐. 아픈 내 마음 멀리 날아가네.
소리는 함께 놀던 놀이, 돌아가신 엄마 소리는. 너도 해봐. 눈을 감고 소릴 질러.
그저 살다보면 살아진다. 그저 살다보면 살아진다.
눈을 감고 바람을 느껴봐. 엄마가 쓰다듬던 손길이야. 멀리 보고 소리를 질러봐 아픈 내 마음 멀리 날아가네
<English>
I don’t feel sad for being alone.
My late mother once told me,
“As you live on, life will find its way.”
I never really knew what she meant,
But it feels like a spell that brings me peace.You should try it too —
Close your eyes and whisper softly,
“As you live on, life will find its way.”
“As you live on, life will find its way.”Close your eyes and feel the breeze,
It’s my mother’s gentle touch upon my cheek.
Look far away and shout out loud,
My aching heart flies off into the sky.That voice — it’s the song we used to sing,
The voice of my mother long gone.
You should try it too —
Close your eyes and call it out,
“As you live on, life will find its way.”
“As you live on, life will find its way.”Close your eyes and feel the breeze,
It’s my mother’s gentle touch upon my cheek.
Look far away and shout out loud,
My aching heart flies off into the sky.
Op. 83 No. 8 from Eight Pieces by Bruch (arranged for flute, oboe, cello and piano)
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Bruch's intimate chamber work seems to evoke the quiet, profound conversations that happen in life's later years. Unlike the grand orchestral gestures of youth, this music speaks in whispers. It is as if four close friends were gathered by a fireplace, each taking turns to share a story while the others respond, their voices weaving into one gentle melody before settling again into silence. (original version: clarinet, viola, and piano)
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Arranger: Dohyun Jeon
Performers: Anne Kim (Fl), Yeseul Park (Ob), August Jong Hyun Lee (Vc), Eunhye Grace Hwang (Pf)
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Composer: Max Bruch
Memory from Musical Cats
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In the twilight of existence, Grizabella's haunting "Memory" becomes the voice of every aging soul looking back on their journey. Like an elderly cat who has lost her former beauty and grace, this final song captures the profound loneliness and regret that can accompany life's closing chapters. Yet within the melancholy lies a deeper truth - that even our mistakes and losses are part of the sacred tapestry of existence. At the climax the music refuses to divide shadow from light. It gathers everything in and speaks of the courage to turn the page.
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Arranger: Wonji Lee
Conductor: Wonji Lee
Performers: Isabel Yun (M. Sop), Jennie Yukyung Byun (Sop I), Shin-Yeong Noh (Sop II), Yoorhi Choi (Vn I), Kyuri Choi (Vn II), SunYoung Park (Vn II), Eunha Kim (Vc I), August Jong Hyun Lee (Vc II), Anne Kim (Fl), Yeseul Park (Ob), Jina Jang (Pf), Eunhye Grace Hwang (Pf)
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Composer: Andrew Lloyd Webber
Lyricist: Trevor Nunn (based on poems by T. S. Eliot)
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Memory
Turn your face to the moonlight
Let your memory lead you
Open up enter in
If you find there
The meaning of what happiness is
Then a new life will beginMemory
All alone in the moonlight
I can smile at the old days
I was beautiful then
I remember
The time I knew what happiness was
Let the memory
Live againBurnt out ends of smoky days
The stale cold smell of morning
A street lamp dies
Another night is over
Another day is dawningDaylight
I must wait for the sunrise
I must think of a new life
And I mustn't give in
When the dawn comes
Tonight will be a memory too
And a new day will beginSunlight through the trees in summer
Endless masquerading
Like a flower as the dawn is breaking
The memory is fadingTouch me
It's so easy to leave me
All alone with the memory
Of my days in the sun
If you touch me
You'll understand what happiness is
Look, a new day
Has begun